Red Dwarf: Series 1
What is Red Dwarf? Why, it's Star Trek: Voyager. That not good enough for you? I speak as a Red Dwarf newbie, so if you're a rabid fan of the series you can skip this.
Still here? Okay: Red Dwarf is actually a ship. A big, ugly floating city. It's a mining colony, to be precise, and it's crewed by a bunch of folks who are much like the working blue-collar slobs you might find in any city. The closest approximation to the atmosphere is the workaday life of the poor saps that get eaten in the movie Alien. It's grungy, it's gritty, and it's very easy to identify with the crew.
One-armed robots known as "scutters" zip around the ship, performing maintenance jobs at the behest of Holly (Norman Lovett), the ship's computer. Holly appears as a floating head on computer screens; a balding, monotone-voiced face with bad teeth and deadpan delivery. Just about everything else has the possibility of talking on the ship, from the food dispensers to toasters. Most integral to the technology are the holographics, used to recreate one dead crewmember whose knowledge is too important to the mission of Red Dwarf. In essence, the hologram is a technological ghost, able to interact with everyone (even sleeping) but incapable of touching or being touched.
Our two main characters are Dave Lister (Craig Charles), an uber-slacker who pretty much doesn't want to do anything but get drunk, high, or laid and his manager, Arnold J. Rimmer (Chris Barrie), an uptight, neurotic stick in the mud. They hate each other with a passion, a problem exacerbated by Lister's insistence on bringing an illegal animal (a cat, played by...well, a cat) on board. This leads to Lister being put into stasis, a sort of benign punishment straight out of Judge Dredd: the prisoner is put in suspended animation and doesn't actually experience the passage of time.
Then Something Bad Happens ™ that kills off everyone on board. Except Lister, who is safely ensconced in his stasis prison.
Three MILLION years pass.
...
That's right, THREE MILLION YEARS. If there's a concept I had difficulty wrapping my mind around, it's the implications of what it means to have three million years pass you by. A lot can happen in three million years. A lot probably SHOULD have happened in three million years. But Red Dwarf had a small budget to start, so you'll have to forgive the three million questions that undoubtedly pop up about a ship in space for three million years. I mean, metal degrades in three million years, doesn't it?
Anyway, the assumption in Red Dwarf is that most things kept working as they always did. Which really does beg the question as to why there was ever a crew in the first place (and perhaps verifies Lister's belief that he may as well slack off as none of it makes any difference).
Lonely and a little crazy, Holly wakes up Lister. To Lister's horror, Holly uses the holographics to recreate the crewmember "most important to the mission," to keep Lister from going crazy: Rimmer. Rimmer's more or less the same as his past self, except he has a huge "H" glued to his head. Rounding out the cast is the evolutionary descendant of the cat Lister brought on board, known only as Cat (Danny John-Jules). Cat is basically Prince with fangs...my wife, who never saw the first season prior to renting the DVD, thought he was a vampire.
If there's a weakness in the show, it's Cat. He has little to do and is only really amusing to people who have cats, in which case he's either hilarious or very obvious. He does help liven the show up by hopping around and screeching in colorful outfits in a series that tends to have very little movement. There's also the dreadful long shots of the model that is Red Dwarf. These boring pans seem to take place every five minutes and make you really feel like you're trapped on the ship along with Lister. I'm not sure that's a good thing.
The humor is decidedly British, which is good if you're British and not quite as good if you're not. There are a lot of references to European popular culture that are easily lost on Americans (I know I was confused a couple of times) as well as 80s references that really date the show. Still, I was a child of the 80s so I got most of those jokes.
What's amazing about Red Dwarf is its ability to go for the absolutely lowest fart jokes and simultaneously work in high-minded science fiction concepts. Everything from faster-than-light travel, time travel, and holographic technology is explored at any one point in time. This can make the series both confusing and surprisingly fresh, depending on the circumstances.
The first season has almost no budget, but that only adds to the claustrophobia. It does have a lot of funny witticisms, but you have to get past the accents. Lister slurs a lot of his lines (as well he should), which makes him sometimes difficult to follow. But I find it difficult to be too harsh with the show...it's like criticizing an off-Broadway show for being off-Broadway.
What's most telling is how much Red Dwarf influenced other science fiction shows. Star Trek Voyager is an almost play-by-play rip off of Red Dwarf, down to the holographic doctor, the resident comic alien, and the fact that the crew is so far out in space that no laws apply. The only thing that's missing is hostile aliens, but I'm sure they'll turn up soon enough.
It may not be the most polished production, but Red Dwarf did it first.
Labels: Science Fiction, TV Shows
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