An Internet magi has observed that in selecting the opening effect and patter
for your act it is important to convince the audience that your act is
worth watching and that you are a nice person.
I observed that this is more difficult for some people than others. Case in point:
although Flash Mildew gets plenty of practice at his semi-regular
meetings with his parole officer, he still finds it difficult to win
the sympathy of an audience quickly. With my assistance, he has
developed a few rules about what not to put in an opening effect.
- Effects which litter the stage with potentially hazardous objects
(like 'Tater Pigs) or provide the audience with ammunition to fire
back toward the stage are right out. This includes large predatory
animals which have not been fed lately.
- When working outdoors, save anything that may attract a large flock
of birds (particularly seagulls) for a closer. Failure to heed this
rule resulted in a spectacle reminiscent of a Hitchcock movie when
Flash opened with his "Cornucopia of Scrod" effect in Atlantic City.
- Any effect which involves placing a substantial portion of your
audience on a bus and sending them somewhere far away should be used
only if they will return before the end of the show. See "The
Library of Congress Book Test" in The Collected Works of Flash Mildew.
- Don't insult any audience members with your opener. Save the insults
until you have been able to observe the audience and determine which
of them are carrying automatic weaponry. When in doubt, simply
compliment the audience on the interesting variety of large bulges
under their trench coats.